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The book offers new perspectives on works that were central to the visual and literary culture of the Anglo-American world-ephemeral print-but which have received little scholarly attention in the past.
Book history --- anno 1700-1799 --- 76 "17" --- 769.3 --- 76.041.7 --- 76 "17" Grafische kunsten. Grafiek. Prentkunst--18e eeuw. Periode 1700-1799 --- Grafische kunsten. Grafiek. Prentkunst--18e eeuw. Periode 1700-1799 --- 76.041.7 Grafische kunsten. Grafiek. Prentkunst--Populaire prentkunst.Volksprenten--Land --- Grafische kunsten. Grafiek. Prentkunst--Populaire prentkunst.Volksprenten--Land --- 769.3 Prentenverzamelingen: gelegenheidsgrafiek; kalenders; diploma's; prentkaarten; ephemera --- Prentenverzamelingen: gelegenheidsgrafiek; kalenders; diploma's; prentkaarten; ephemera --- Printed ephemera --- Ephemera, Printed --- Ephemeral printing --- Printing, Ephemeral --- Street literature --- History
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The significance of the media and communications revolution occasioned by printmaking was profound. Less a part of the standard narrative of printmaking's significance is recognition of the frequency with which the widespread dissemination of printed works also occurred beyond the borders of Europe and consideration of the impact of this broader movement of printed objects. Within a decade of the invention of the printing press, European prints began to move globally. Over the course of the fifteenth to the eighteenth centuries, numerous prints produced in Europe traveled to areas as varied as Turkey, India, Persia, Ethiopia, China, Japan and the Americas, where they were taken by missionaries, artists, travelers, merchants and diplomats. This collection of essays explores the transmission of knowledge, both written and visual, between Europe and the rest of the world by means of prints in the Early Modern period.
E-books --- 76 <4> --- 76 "14" --- 76 "15/17" --- 76 "15/17" Grafische kunsten. Grafiek. Prentkunst--Moderne Tijd --- Grafische kunsten. Grafiek. Prentkunst--Moderne Tijd --- 76 "14" Grafische kunsten. Grafiek. Prentkunst--15e eeuw. Periode 1400-1499 --- Grafische kunsten. Grafiek. Prentkunst--15e eeuw. Periode 1400-1499 --- 76 <4> Grafische kunsten. Grafiek. Prentkunst--Europa --- Grafische kunsten. Grafiek. Prentkunst--Europa --- Graphic arts --- History of civilization --- books --- prints [visual works] --- cultural diffusion --- anno 1500-1799 --- Prints --- Art and society --- History. --- Technique. --- boekdrukkunst --- Technique
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"Printmaking is a practical and comprehensive guide to printmaking techniques. This fully updated edition includes expanded chapters on digital and mixed media processes, and a brand new 'Print & Make' chapter, which explores the opportunities for creative expression within the many processes available to print makers. The more traditional techniques of relief, intaglio, collograph, lithography, screen printing and monoprint have also been refreshed with the addition of new images showing a broader range of subject matter, including more contemporary prints and international artists. A new section on the traditions and techniques of Japanese woodblock printing completes the update. Each technique is explored from the development of the printing or digital matrix, through the different stages of creation to image output. Clear step-by-step illustrations, interviews with contemporary printmakers and a wide range of images showing the best of cutting-edge printmaking today offer an inspirational resource. Guidance on how to set up a print studio, sections on troubleshooting techniques and the inclusion of up-to-date lists of suppliers, workshops and galleries make this an essential volume for beginner and experienced printmakers alike."--Wheelers.co.nz.
Graphic artists. --- Designers, Graphic --- Graphic designers --- Artists --- Prints --- Print making --- Printmaking --- Technique. --- prints [visual works] --- prentkunst
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History of Belgium and Luxembourg --- 949.3 --- 76 <493> --- Geschiedenis van België --- Grafische kunsten. Grafiek. Prentkunst--België --- 76 <493> Grafische kunsten. Grafiek. Prentkunst--België --- 949.3 Geschiedenis van België --- België ; geschiedenis --- Belgium --- History --- Pictorial works --- België ; geschiedenis
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This book explores what the methodologies of Art History might offer Comics Studies, in terms of addressing overlooked aspects of aesthetics, form, materiality, perception and visual style. As well as considering what Art History proposes of comic scholarship, including the questioning of some of its deep-rooted categories and procedures, it also appraises what comics and Comics Studies afford and ask of Art History. This book draws together the work of international scholars applying art-historical methodologies to the study of a range of comic strips, books, cartoons, graphic novels and manga, who, as well as being researchers, are also educators, artists, designers, curators, producers, librarians, editors, and writers, with some undertaking practice-based research. Many are trained art historians, but others come from, have migrated into, or straddle other disciplines, such as Comparative Literature, American Literature, Cultural Studies, Visual Studies, and a range of subjects within Art & Design practice. Maggie Gray lectures in Critical & Historical Studies at Kingston University, UK with a specialism in comics, cartooning, and visual narrative. She is author of Alan Moore, Out from the Underground: Cartooning, Performance and Dissent (Palgrave Macmillan 2017). Ian Horton is a Reader in Graphic Communication and a founder member of the Comics Research Hub (CoRH!!) at the University of the Arts London, UK. He is Associate Editor of the Journal of Graphic Novels and Comics and his research is focused on comic books, graphic design and illustration.
Art --- Literature --- prentkunst --- literatuur --- massamedia --- kunstgeschiedenis --- beeldverhalen --- Comic books, strips, etc. --- History and criticism --- Theory, etc. --- History --- Methodology.
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Der nach 1600 aufkommende Realismus in der niederländischen Landschaftsmalerei ist in der Kunstgeschichtsforschung oft auf die neue politische Unabhängigkeit der Vereinigten Niederlande bezogen worden. So erscheint das künstlerische Interesse an spezifisch einheimischen Bildthemen als Ausdruck einer bürgerlichen Identitätssuche im Zuge eines wachsenden Selbstbewusstseins der jungen Republik. Doch wie wirkte diese Landschaftskunst an nationalisierenden Prozessen mit? Inwieweit ist die Popularisierung identitätsstiftender Vorstellungsbilder mit der Etablierung stereotyper Landschaftsbilder verflochten, und wie lassen sich kollektive, intermediale Rezeptionsmuster rekonstruieren? Miriam Volmert analysiert die längerfristigen Entstehungsprozesse und Bedeutungsdimensionen künstlerischer und politischer Landschaftsdiskurse im Holland der Frühen Neuzeit. Neben Gemälden und grafischer Kunst diskutiert sie propagandistische Illustrationen, historiografische und literarische Werke sowie kunsttheoretische Abhandlungen. Sie zeigt auf, wie holländische Landschaft bereits vor 1600 in Bild- und Textmedien eingesetzt wird, um lokale Traditionsvorstellungen zu untermauern, und wie auf dieser Basis im Kontext des Achtzigjährigen Krieges komplexere Landschaftszeichen entwickelt werden: Vor allem Dünenbilder gewinnen an Bedeutung, um populäre Ideen politischer Abgrenzung zu vermitteln und kollektive Erinnerungsräume zu formulieren.
Iconography --- anno 1400-1499 --- anno 1500-1599 --- anno 1600-1699 --- Netherlands --- 76.047 <492> --- 76 "14/16" --- 76.047 <492> Iconografie: landschappen; stadsgezichten; zeegezichten in de prentkunst--Nederland --- Iconografie: landschappen; stadsgezichten; zeegezichten in de prentkunst--Nederland --- Grafische kunsten. Grafiek. Prentkunst--15e-17e eeuw. Periode 1400-1699 --- Art, Dutch
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Arts and society --- Artists --- Arts --- Arts and sociology --- Society and the arts --- Sociology and the arts --- History --- Social aspects --- Fenn, Harry, --- Criticism and interpretation. --- 76:655.5 <73> --- 76 <73> "18" --- 76 <73> "18" Grafische kunsten. Grafiek. Prentkunst--Verenigde Staten van Amerika. VSA. USA--19e eeuw. Periode 1800-1899 --- Grafische kunsten. Grafiek. Prentkunst--Verenigde Staten van Amerika. VSA. USA--19e eeuw. Periode 1800-1899 --- 76:655.5 <73> Grafische kunsten. Grafiek. Prentkunst-:-Geïllustreerde boeken (boekillustraties)--Verenigde Staten van Amerika. VSA. USA --- Grafische kunsten. Grafiek. Prentkunst-:-Geïllustreerde boeken (boekillustraties)--Verenigde Staten van Amerika. VSA. USA --- Fenn, H. --- H. F. --- F., H. --- Fenn, Henry,
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Hitherto relegated to the closets of art history and literary studies, book illustration has entered mainstream scholarship. The chapters of this collection offer only a glimpse of where a complete reconfiguration of the visual periphery of eighteenth-century texts might ultimately take us. The use of the gerund of the verb ""to reconfigure"" in the subtitle of this collection, instead of the corresponding noun, underlines the work-in-progress character of this interdisciplinary endeavour, which aims above all to discern new vistas while charting or revisiting landmarks in the rich field of ei
Illustration of books --- Art and literature --- European literature --- Literature and art --- Literature and painting --- Literature and sculpture --- Painting and literature --- Sculpture and literature --- Aesthetics --- Literature --- Book illustration --- Art --- Books --- Decoration and ornament --- Pictures --- History --- History and criticism. --- 76 "17" --- 76:655.5 --- 76:655.5 Grafische kunsten. Grafiek. Prentkunst-:-Geïllustreerde boeken (boekillustraties) --- Grafische kunsten. Grafiek. Prentkunst-:-Geïllustreerde boeken (boekillustraties) --- 76 "17" Grafische kunsten. Grafiek. Prentkunst--18e eeuw. Periode 1700-1799 --- Grafische kunsten. Grafiek. Prentkunst--18e eeuw. Periode 1700-1799 --- History and criticism --- Book history --- anno 1700-1799 --- Europe
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Sculpture in Print, 1480-1600 is the first monograph dedicated to the intriguing history of the translation of statues and reliefs into print. The multitude of engravings, woodcuts and etchings show a highly creative handling of the 'original' antique or contemporary work of art. The essays in this volume reflect these various approaches to and challenges of translating sculpture in print. They analyze foremost the beginnings of the phenomenon in Italian and Northern Renaissance prints and they highlight by means of case studies amongst many other topics the interrelated terminology between sculpture and print, lost models in print, the inventive handling of fragments, as well as the transformation of statues into narrative contexts.
Sculpture in art. --- Sculpture --- Graphic arts --- prints [visual works] --- Renaissance --- anno 1400-1499 --- anno 1500-1599 --- Prints, Renaissance --- Themes, motives. --- Art and history --- History and art --- History --- History in art --- 76 "14" --- 76 "15" --- 73 --- 73 Beeldhouwkunst. Sculptuur --- Beeldhouwkunst. Sculptuur --- 73 Plastic arts --- Plastic arts --- 76 "15" Grafische kunsten. Grafiek. Prentkunst--16e eeuw. Periode 1500-1599 --- Grafische kunsten. Grafiek. Prentkunst--16e eeuw. Periode 1500-1599 --- 76 "14" Grafische kunsten. Grafiek. Prentkunst--15e eeuw. Periode 1400-1499 --- Grafische kunsten. Grafiek. Prentkunst--15e eeuw. Periode 1400-1499
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